专家推荐：青花双喜罐

据相关记载，双喜字是北宋时期的王安石所创造出来的。据说它进京赶考，路上遇到马员外家征联招婿，凡是能对出“走马灯，灯走马，灯熄马停步”下联者即可招为女婿。王安石记下题目便匆匆赴考，一路顺利进入殿试，没想到皇上亲自殿试的题目是为“飞虎旗，旗飞虎，旗卷虎藏身”求上联，王安石大喜，赶忙对出“走马灯，灯走马，灯熄马停步”得以高中。金榜题名时又遇洞房花烛夜，王安石自笑是双喜临门，大笔一挥，连体的双喜字就缠上了，之后婚嫁喜事张贴双喜字就成为民间的一种习俗。

"According to relevant records, the word Shuangxi was created by Wang Anshi in the Northern Song Dynasty. It's said that when it came to Beijing for the exam, it met with a horse member's outside family to recruit a son-in-law. Anyone who could get out of the "go on the horse light, go on the horse light, turn off the horse light and stop walking" couplet could be recruited as a son-in-law. Wang Anshi wrote down the questions and hurried to the examination. He successfully entered the palace examination all the way. Unexpectedly, the Emperor himself asked for the couplet "Flying Tiger flag, flying tiger flag, hiding tiger flag roll". Wang Anshi was very happy and hurried out of "Walking Horse light, walking horse light, stopping horse light out" to get high school. When the gold list was inscribed, there was another wedding night. Wang Anshi laughed at his double happiness. With a flick of his pen, the two happiness characters were tied together. After that, it became a folk custom to post the double happiness characters at wedding events.

清代时期，青花瓷器占主导地位，上服务于皇室，下普及于民间，外远播于世界。无论是在工艺技术，绘画水平还是产量方面都达到了历史上的又一高峰。皇宫内、外流传至今的清代青花瓷器，数量之多，品种之繁，是非常惊人的。它们不仅时代特征鲜明，而且烧造脉络清晰，为世人再现了清代青花瓷器的发展历程。

In the Qing Dynasty, blue and white porcelain dominated, serving the royal family, popularizing among the people and spreading all over the world. Whether in technology, painting level or production, it has reached another peak in history. The Qing Dynasty blue and white porcelain, which has been handed down from the imperial palace to the present, is astonishing in its large quantity and variety. They not only have distinctive characteristics of the times, but also have clear firing context, which represents the development process of Qing Dynasty blue and white porcelain for the world.

青花“喜”字罐，俗称为“喜字罐”，亦有“双喜”罐之说，顾名思义是带着吉祥喜庆的寓意。古代结婚都会订制“喜字罐”用来放喜糖等等，给民间婚嫁喜事增添了喜庆吉利的色彩，至今民间祖上为富豪大宅人家的家中仍可见到。“喜字罐”最早起源于元代，盛行于明清时期。清代青花喜字罐在当时是非常典型的器物，只有人们在婚嫁时期才会特意去定制烧制双“囍”罐，表达双方欢喜之意，一般不会像其他瓷器一样批量烧制。因其蕴含了古代文化，浓郁的喜庆气息，可在家中摆放观赏，有家庭美满幸福之意。

The blue and white "happy" pot, commonly known as "happy pot", also has the theory of "double happiness" pot, as the name implies, is a symbol of auspiciousness and festivity. In ancient times, wedding jars were made to hold wedding sweets, which added auspicious color to the wedding ceremony. Today, the family home of the rich family can still be seen. "Xizi jar" originated in Yuan Dynasty and prevailed in Ming and Qing Dynasty. The Qing Dynasty blue and white Xizi pot was a very typical utensil at that time. Only when people were married, they would specially make double "Zhuo" pots to express their happiness. Generally, they would not be fired in batches like other porcelain. Because it contains ancient culture, rich festive atmosphere, can be placed at home to watch, has the meaning of family happiness.

清代青花喜字罐在当时确实是非常的典型器物。虽然属于民窑的东西，但其实能完整保存至今其实也是不容易的。原因有三：一是古人只在婚嫁时期才会特意烧制定制喜字盖罐，由于是颇具意义的器物也不会像一般碗碟瓷盘那么多。其二，喜字罐一般都是成双成对的，因此不可能像官窑一般被人们视之珍惜，难以避免不被打烂。

The Qing Dynasty blue and white Xizi jar was indeed a very typical utensil at that time. Although it belongs to the folk kiln, it is not easy to keep it completely. There are three reasons: first, the ancients only made the custom-made Xizi jar in the wedding period, because it is a meaningful utensil, not as many as the general dishes and porcelain plates. Secondly, Xizi pots are usually in pairs, so it is impossible to be treasured like official kilns, and it is hard to avoid being broken.

清代青花罐在当时确实是非常热门以及典型的容器，非常的实用也落落大方！虽然属于民窑的东西，但是保存到现在是非常不易的，原因有三：

其一、是古人只在婚嫁喜庆的时期才会特意烧制这种喜庆的双喜字盖罐，由于是颇具意义的器物也不可能像一般碗碟瓷盘那么多。

其二、喜字盖罐一般都是成双成对的，而且又是有盖子的实物器物，因此不可能像官窑一般被人们视之珍惜，难以避免不被打烂。

其三、是因为这种喜字罐是常用之物，不是摆设物，经常使用的东西难以避免的可能会出现一些损毁，所以流传下来的也是少之又少

Qing Dynasty blue and white pots were very popular and typical containers at that time, very practical and generous! Although it belongs to the folk kiln, it is very difficult to preserve it until now. There are three reasons:

First, the ancients only made this kind of double happiness jar in the wedding celebration period, because it's a meaningful utensil, it can't be as many as ordinary dishes and porcelain plates.

Second, the Xizi jar is usually in pairs, and it is also a kind of physical utensil with a lid, so it can not be regarded as a treasure like the official kiln, and it is difficult to avoid not being broken.

Third, because this kind of Xizi jar is a common thing, not a decoration. It is inevitable that some damage may occur to the frequently used things, so there are few passed down

专家评语：这件藏品通体以青花为饰，构图典雅，釉彩明净，绘画精美，层次丰富，青花发色清雅，饰以花卉纹主题纹饰构图饱满，枝蔓翻卷，婀娜多姿，装饰性极强。全器釉质温润肥厚，青花鲜艳翠亮，发色明快。深浅相应，浓淡相宜，极为悦目；雍容典雅的器形，洁白莹润的胎釉，舒展流畅的纹饰，凝重典雅的青花，制作技艺的精湛正是典型的清代的青花特点。藏品年代特征明显，胎质细腻，胎土至少经过十几遍陶练，属于到代精品。其艺术价值和收藏价值不言而喻。

Expert comment: this collection is decorated with blue and white flowers, with elegant composition, clear glaze color, exquisite painting, rich layers, elegant blue and white hair color, full composition with flower motif, twigs and tendrils, graceful and highly decorative. The enamel is warm and plump, the blue and white are bright, the hair color is bright. The depth is corresponding to the depth, and the thickness is appropriate, which is very pleasing to the eyes. The elegant shape, white and lustrous glaze, smooth patterns, and elegant blue and white flowers are the typical characteristics of Qing Dynasty blue and white flowers. The age characteristics of the collection are obvious, the texture is fine, and the soil is at least ten times of pottery training, which belongs to the fine products of the generation. Its artistic value and collection value are self-evident.